Barry McGee - Reproduction (Hand Customized)
Hardcover, 224 pages with 250 images, measures 8.5 x 11 inches. (T3)
This book is personally customized - See photos!
- An exterior silver spray paint job
- Stamped with Barry McGee designed stamps (in three places) These are his own personal stamps.
Barry McGee - Reproduction (Tagged with TWIST) - Tier 1
Hardcover, 224 pages with 250 images, measures 8.5 x 11 inches.
*Limit is 1 per customer, additional book purchases will be refunded back*
This book is personally customized - See photos!
Tier 1 includes:
- A hand done "TWIST" tag by McGee
- An exterior silver spray paint job sanded and buffed
- Stamped with Barry McGee's personal and designed stamps
View Tier 2 and Tier 3 options.
NOTE: Photos show examples of "TWIST" tag, they are all done by hand and will vary.
Hayao Miyazaki - The Art of My Neighbor Totoro
Hardcover, 176 pages, measures 8.5 x 1.1 x 10.9 inches.
Eleven-year-old Satsuki and her sassy little sister Mei have moved to the country to be closer to their ailing mother. While their father is working, the girls explore their sprawling old house and the forest and fields that surround it. Soon, Satsuki and Mei discover Totoro, a magical forest spirit who takes them on fantastic adventures through the trees and the clouds--and teaches them a lesson about trusting one another.
Hayao Miyazaki - The Art of the Wind Rises
Hardcover, 224 pages, measures 8.5 x 1.1 x 10.9 inches.
The latest in the perennially popular line of Studio Ghibli artbooks, which includes interviews, concept sketches, and finished animation cels from classics such as Spirited Away and My Neighbor Totoro.
The Wind Rises is Miyazaki’s love letter to the power of flight and the imagination, an examination of the rise of Japan’s military might in the years leading up to the Second World War, and a call for worldwide peace and harmony in the face of destruction. This book captures the art of the film, from conception to production, and features in-depth interviews
Oishinbo: Japanese Cuisine - A la Carte - Sake
Oishinbo: Japanese Cuisine - The Joy of Rice
Measures 8.25" x 6", 276 pages, softcover, Black & White.
A quest for the ultimate menu! R to L (Japanese Style).
"The Joy of Rice" In this volume of Oishinbo, Yamaoka and company look into the single most essential food in Japanese cuisine: rice. Cultivated for millennia, a staple meal in itself and the basis of countless other dishes, rice is an important component not only of the Japanese kitchen but also of Japanese culture. When Yamaoka is asked by TMzai's head chef for help in coming up with a new rice dish, what starts out as a simple culinary request rapidly grows into a disquisition into the past, present and future of Japan's food culture. As part of the celebrations for its 100th anniversary, the publishers of the TMzai News have commissioned the creation of the "Ultimate Menu," a model meal embodying the pinnacle of Japanese cuisine. This all-important task has been entrusted to journalist Yamaoka ShirM, an inveterate cynic who possesses no initiative--but also an incredibly refined palate and an encyclopedic knowledge of food. Each volume of Oishinbo follows Yamaoka and his colleagues through another adventure on their quest for the Ultimate Menu. Now, the highlights from the hundred-plus volume series have been selected and compiled into A la Carte editions: bite-sized chunks of story arranged by subject that add up to a full-course manga meal!
Oishinbo: Japanese Cuisine - Vegetables
Takashi Murakami: The Octopus Eats Its Own Leg
This landmark publication accompanies a major retrospective exhibition of Takashi Murakami’s paintings. Although other volumes on Murakami in English address the crossover between his fine art and commercial output, this book presents the first serious consideration of his work as a painter. It provides a sustained consideration of the artist’s relationship to the tradition of Japanese painting and his facility in straddling high and low, ancient and modern, eastern and western, commercial and high art. Lavishly illustrated with large-scale images of works that span his art student days to now—many reproduced together for the first time—the book contextualizes Murakami’s output in postwar Japan with essays that situate the artist in relation to folklore, traditional Japanese painting Nihonga, the Tokyo art scene in the 1980s and 1990s, and the threat of nuclear annihilation. The volume includes essays by curator Michael Darling, Michael Dylan Foster, Chelsea Foxwell, Reuben Keehan, and Akira Mizuta Lippit, as well as a biography and exhibition history, selected bibliography, and index.