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Greetings from Chicago

Tim Hugh, one man bandleader of the Chicago Asian American Film Festival

This is Tim Hugh and his dog Helga in his kitchen in Chicago. Tim has run the only Asian American Indie Film Fest (i.e. no “imports”) for 12 of the 17 years that it’s been in existence. In this picture, he’s a one man bandleader- running it solo, something I can relate to as a solo musician. I’m in town to promote my film “Daylight Savings” which premiered at SXSW this year, and will be the opening night film this year. Joining me at the screening will be Michael Aki who plays my cousin in the film. I met Mike at this very festival in 2010 when he was showing his films Sunsets that he directed with Eric Nakamura, and his Film Noir tribute “Strangers”

I asked Tim a bunch of questions:

Goh: Why is this festival important?

Tim: It’s one of the only festivals that shows only Asian American films; produced, directed and/or about the Asian American experience. In the midwest more so than the coastal states, you’re constantly asked that stupid question “Where are you from?”… so it’s important to help define what being Asian and American is.

I’m a fourth generation Chinese American. In the midwest, it’s usually under the assumption that you’re just “Asian”… and not “Asian American.” When I see Causasian people I don’t ask them “are you from Poland? are you European?” I just see them for who they are, not what they look like.

Goh: How did you get involved in the festival?

Tim: I was just a fan of the band Seam, and Sooyoung Park, Ben Kim and Billy Shin started the festival in 1995 after they released the Ear of the Dragon CD, which was the first Asian American Rock Compliation. I’d always go and watch everything I could. I’d never seen films like this before; Asian American characters that spoke like me; the actors weren’t forced to speak with a bad accent. I could relate to these images and characters that I was seeing at this festival.

I became obsessed and would watch everything I could, whether it be a feature, documentary, or shorts program. I just wanted to see as much as I could, because I knew I’d never get a chance to see these movies again. Plus, being able to meet the directors and hear them speak about their films was one of the coolest things for me. I remember hanging out with Justin Lin, back when he was just a shorts director.

They noticed me being there year after year, and began to recognize me. Eventually, they would ask me to do little things like hand out program booklets, take tickets, watch the table, and take pictures during the Q&A’s. Basically, I became a volunteer. I remember standing there back in the day giving out Giant Robot magazines!

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The ride into Tokyo from Narita Airport is soothing after a flight across the Pacific. I like to choose the train over the bus even though it costs a bit more. It’s actually something I enjoy. I see the rice fields that are checkered, people in the distance who watch the trains go by, older houses without many neighbors, an occasional temple or pagoda and lush greenery. It’s another world that I see the from train window. I wish I could stop and walk the paths in between rice fields and wonder who’s watching me. I’d definitely wave. The pen and watercolor image was made to have a song that accompanies it. The song is by My Bloody Valentine called Sometimes (and you can play it below in the YouTube link) and I’ve listened to it numerous times on the train in the last decade. It’s off of their album called Loveless and that’s why the sky in my image is pink. I made it for the Song X Art Exhibition at Balconi Coffee. (Art show Facebook page – Art Show – Cafe Art Music page) [youtube]t0dJqlvOSq4[/youtube]
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