Giant Robot Store and GR2 News

The film is actually called Daylight Savings. It’s debuting at the SXSW film festival, but a day later, it’s in SF. The tickets are available at CAAM. It’s the San Francisco International Asian American Film Festival. That’s Goh Nakamura (right) and Ayako Fujitani (left).  
Continue reading

Classics of Love at Barfly in London, UK on 17 May 2009 (Imelda Michalczyk)

On the upcoming, self-titled Classics of Love LP, Jesse Michaels declares, “Life is a game where you see who gets the most money/Life is a game where you see who gets the most power.” Those are some cool punk lyrics on their own but the ex-frontperson of Common Rider, Big Rig, and Operation Ivy backs up the sentiments by starting rad bands that never get played on the radio, play huge tours, or cash in. Instead, Michaels just makes totally honest, somewhat trashy, energy-packed, and supremely melodic ’70s punk-inspired music with hardcore and ska leanings. So I was stoked when our mutual friend Mike Park asked me if I wanted to contact Jesse about his band’s latest release on Asian Man Records. Cramming 13 songs into 23 minutes, its brand of raging punk channels Bad Religion (“We Need a Change”) as much as The Specials (“Castle In The Sky“) . Of course, the breathless, humanist, blue-collar lyrics are pure Jesse Michaels. Here’s how the conversation went…

Continue reading

Wolves in the Throne Room at The Echoplex (January 26, 2012)

It’s about time I checked out some bands that I haven’t seen a million times before. On Thursday, I finally got to see Wolves in the Throne Room. The Washingtonians famously play ecologically inspired black metal on vintage gear by candlelight. Oh yeah, they also play a contemplative and mind-blowing blend of drone and thrash. Super dark, extremely heavy, and much more riff-oriented live than on vinyl. Who knew sage and smoke machines could go together so well? Sadly, after waiting in line outside for so long I only caught the last song by Chelsea Wolfe and totally missed Hive Mind with Harrassor.

Continue reading
D22 the infamous club in Beijing which developed their “underground” scene is closing it’s doors. As a lot of indie clubs it was far on the edges of town, but that also leads to it’s mystique. Now it’s closing after being an integral part of the scene. The music is China still isn’t spread world wide, but that’ll come over time and venues like D-22 will always pop up. (WSJ – D22)
Continue reading
[youtube]lGVce7xjx04[/youtube] Here’s a new tune I wrote. Actually wrote it on a walk to the coffee shop one day, just speaking words into my phone as they came into my head… pretending like I was having a conversation with someone. This song was sort of an experiment, I wanted to write it away from an instrument… starting with words. I usually sit around with a pen and paper, but I found that the left/right rhythm of feet against concrete gets my brain going. When I get to the coffee shop, I sit down with a cup of joe, jot stuff down. Then I walk home, humming revisions or new ideas. I made this video yesterday, walking the same route as I did when I wrote the song in November. I tried walking my cat on a leash, but he wasn’t having it. There’s some footage of my friend’s home/studio in San Juan Bautista, where I recorded it. The video’s like a little commercial for the song, which you can purchase Here
Continue reading