Giant Robot Store and GR2 News

Mike Park has been playing indie punk and ska since he was a teenager, first with Skankin’ Pickle, then The Chinkees, Bruce Lee Band, and solo gigs under his own name. Along the way, he began releasing albums for not only his own bands but others such as Alkaline Trio, The Queers, Kevin Seconds, and Slapstick, as well as starting the excellent Plea for Peace benefit compilations and tours. Mike has always made music for all ages, but his latest release is literally for the kids. Smile features indie ska songs for children inspired by having two children. After I played a copy for Eloise (above, who especially liked “When The Light Turns Red You Stop” and “Paint With Me” and even came up with custom dance moves), I had to find out more more about the new project by an old friend.

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There is much to say about the phenomenon of K-Pop. In a female band, the performers appear to be more R and B, American style, and yes, they do stand a chance of breaking the US Market. Their counterparts, J-Pop resides in it’s own world and has so far failed any English speaking entry. K-Pop, they’ll do it as well as anyone in the world and in that style. (Reuters – K Pop)    
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Boris in J Pop style! I’ve always thought of them as being on the edge of dangerous, from mellow to thick. They were like a modern day Black Sabbath, but this album, New Album is a strange pop hybrid that’s less rock, more J Pop. What happened? Without insulting the trio, the first thing I thought of was Attack Attack, which isn’t good. Yet the album finds some marks here and there and gets shoegaze with “Spoon”. I am hearing anime soundtrack music and undefinable take on contemporary top 40. Click on the link to hear it. (Spin – Boris)
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Unwound shot by Ben Clark

Besides being my go-to photographer for Giant Robot, my friend Ben Clark has taken pictures for the likes of Paul Frank, Emerica, Vans, Transworld, and Yo Gabba Gabba! But before Ben used cameras for a living, he shot for fun. When I heard about his most recent project, Wide Angle Sounds, which entails printing up some of his old, favorite shots of bands like Fugazi, Unwound, The Make-Up, and Rocket From The Crypt and putting them online, I was stoked and wanted to find out more. Hence, this Q&A. Holiday shoppers take note: the hand-printed 5”x7” shots are affordable, easy to frame, and cooler than crap.

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Last night, my awesome pal Michelle let me be her tag-along for the first of three LA performances by The Cure, part of their final “Reflections” tour. The promise: a concert of the first three studio albums, including my favorite, Faith. Promise firmly delivered. I don’t have to tell you about The Cure. You know them. They’re the crossover band of the last several decades, loved by goths and sensitive jocks, when bullying wasn’t a legislative agenda.  Their earliest releases aren’t as accessible as their albums in the 1990s that were complete with music videos, and now make appearances in your favorite karaoke song books. I didn’t discover these records until after Disintegration came out when I was in Junior High. It took a solid education of punk rock and it’s earliest incarnations in British new wave, to help me develop a solid taste for the earlier work. This stuff is good though. Classic really, and the sound at The Pantages was stellar. It seems to take a reunion show these days for me to melt away into a live show, when you know every song because you’ve listened to them a thousand times. Those experiences are magical though, and they remind me of a time when music was about discovery. Discovering new bands, making music that was beyond. Being able to listen to a record over and over to commit every chord, every hook, and every lyric to memory. Realizing that these songs were about moments in your life, or a life you wished you were living. I miss that magic in music. If you didn’t get enough of the far-away cell phone pictures in your Facebook feed last night, you can check out more of my picture here. I am the reluctant concert photographer who’d rather be dancing, but I tried.
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