Giant Robot Store and GR2 News
Whoa, the new OFF! album is a beast and Tuesday’s record release in-store at Amoeba Hollywood kicked ass. Not some lukewarm sampler but a full-on, raging 16-song set! Of course for this particular band that adds up to about 30 minutes but damn. Quality minutes of world-class hardcore punk from the originals, measured with Sabbathian darkness and riffs.
Whoa, the new OFF! album is a beast and Tuesday’s record release in-store at Amoeba Hollywood kicked ass. Not some lukewarm sampler but a full-on, raging 16-song set! Of course for this particular band that adds up to about 30 minutes but damn. Quality minutes of world-class hardcore punk from the originals, measured with Sabbathian darkness and riffs.
Last Friday, I attended the media preview for the Mike Kelley retrospective at MOCA and it’s amazing–the biggest showing of the much-loved L.A.-based artist’s work ever. It started with an assortment of short speeches, starting off with new MOCA director Philippe Vergne calling it a homecoming after debuting at the Stedelijk Museum Amsterdam and making stops in Paris and New York. Mary Clare Stevens, Executive Director of the Mike Kelley Foundation for the Arts described the artist’s personal involvement in the show’s evolution and Ann Goldstein, the former director of the Stedelijk Museum Amsterdam and exhibition curator, added that the show began as related to theme but shifted to chronology upon the artist’s death in 2012.
MOCA Curator Bennett Simpson emphasized MOCA’s history of supporting the artist (who was part of the museum’s “First Show” and has been in almost 30 more including one that he curated) and added that the current stop includes a Chinatown-related piece that has never been shown in Los Angeles before. Framed and Frame (1999) is located on the upper floor, and challenges the audience with concepts of context but also alludes to the Downtown L.A. area’s punk rock history via sex and drugs paraphernalia mixed in with the traditional wishing well icons.
Another large piece is Kandors (2007-2011), a collection of sculptures of Superman’s hometown reimagined from various comic book pages. The reference to the alien city, shrunken by the iconic hero’s arch-enemy Braniac and kept under glass, is esoteric to many but is folklore to hardcore comic book readers. Kelley created a video installation mashing up the four-color hero with the goth poetry of Sylva Plath, but never realized his plan to introduce the Art Forum scene to the Comic-Con crowd online.