Giant Robot Store and GR2 News

ca1

As soon as I found out that my pal Adam Pfahler was in a new band that was starting to play shows, I asked him if they would play our next Save Music in Chinatown benefit. And then they said yes. Wow. The group not only features Adam (who was in Jawbreaker, J Church, Whysall Lane, all among my favorite bands) but Jason White (from Monsula, Pinhead Gunpowder, Green Day, and a bunch of other favorite bands) and Dustin Clark (The Insides, who I’m guessing that I’ll love). So cool of them to book their first SoCal tour around our punk matinee/benefit show for music education at Castelar Elementary that will take place on Sunday, May 18.

How could I not ask him some questions about playing in Chinatown, the new band, some old bands, and an old friend…

Most people think of you as a Bay Area guy but you grew up in L.A. Did you ever get to see any punk shows in Chinatown?
I remember going to the Hong Kong Cafe after shows to drink coffee and listen to the jukebox but never saw a show there. Maybe it was a bit before my time. I’m sure I’ve been to shows at Madame Wong’s in the mid-eighties but I couldn’t tell you who I saw!

Jawbreaker had a band meeting there once around the time we were practicing in Highland Park before recording our first album. It wasn’t a venue at that point and was just a bar and restaurant. So we’re having a beer and bao there one afternoon and out of nowhere a fight breaks out between these two really tough Chinese girls. They’re full-on punching each other in the face. Like, shit’s falling off tables and everything. It’s so gnarly that everyone in the restaurant pretends that it isn’t happening. One of the girls screams, “Fuck you, you two-bit Jawbreaker!” Blake says, “Hey, that’s our band!” I say, “That’s it–the name stays.”

Continue reading

ca1

As soon as I found out that my pal Adam Pfahler was in a new band that was starting to play shows, I asked him if they would play our next Save Music in Chinatown benefit. And then they said yes. Wow. The group not only features Adam (who was in Jawbreaker, J Church, Whysall Lane, all among my favorite bands) but Jason White (from Monsula, Pinhead Gunpowder, Green Day, and a bunch of other favorite bands) and Dustin Clark (The Insides, who I’m guessing that I’ll love). So cool of them to book their first SoCal tour around our punk matinee/benefit show for music education at Castelar Elementary that will take place on Sunday, May 18.

How could I not ask him some questions about playing in Chinatown, the new band, some old bands, and an old friend…

Most people think of you as a Bay Area guy but you grew up in L.A. Did you ever get to see any punk shows in Chinatown?
I remember going to the Hong Kong Cafe after shows to drink coffee and listen to the jukebox but never saw a show there. Maybe it was a bit before my time. I’m sure I’ve been to shows at Madame Wong’s in the mid-eighties but I couldn’t tell you who I saw!

Jawbreaker had a band meeting there once around the time we were practicing in Highland Park before recording our first album. It wasn’t a venue at that point and was just a bar and restaurant. So we’re having a beer and bao there one afternoon and out of nowhere a fight breaks out between these two really tough Chinese girls. They’re full-on punching each other in the face. Like, shit’s falling off tables and everything. It’s so gnarly that everyone in the restaurant pretends that it isn’t happening. One of the girls screams, “Fuck you, you two-bit Jawbreaker!” Blake says, “Hey, that’s our band!” I say, “That’s it–the name stays.”

Continue reading
Holy crap! I still can’t believe Chuck Dukowski Sextet is going to play our next Save Music in Chinatown punk rock matinee/benefit show. I’ve never met the original bass player for Black Flag in person–although I’ve talked to him on the phone and seen him play a few times (pics below)–so it was a long shot when I asked. But not only were he and his wife/partner/collaborator/inspiration Lora Norton down but he added that they were fans of GR magazine and loved Chinatown, too. Yes, I have been stoked ever since. To get all of you as amped up for the show as I am, here’s a quick Q&A with Chuck and Lora about their post-punk jazz combo, family, art, and Chinatown. MW: So amped that your combo will be playing our benefit for kids in Chinatown. Can you tell me about the Sextet’s impressions on the neighborhood? Memories of music or otherwise? CD: I’ll always remember playing The Hong Kong Cafe with Black Flag. It was an important rite of passage. At the time The Hong Kong was the place that you really strived to play. I remember seeing The Germs, X, The Plugz, and so many great bands in Chinatown. The whole plaza became a punk rock mecca. If people couldn’t afford to get inside, they would hang out outside where they could still hear the music. I always made of point of paying to see bands because I wanted to support everyone’s efforts. Back then almost every band you saw was really good. LN: Chinatown is one of the best places in Los Angeles. Just recently, Chuck and I went to an opening at Shepard Fairey’s gallery on Sunset and we went to eat at Ocean Seafood on Hill. We often have Dim Sum there, too. I bought a beautiful and weird sculpture of rats and peaches at Wing Hop Fung on Broadway. That is the best store! I love the architectural aesthetic of Chinatown; it’s so over the top. I am glad to see all the art galleries but I wish they still had venues for bands! MW: I saw that the CD6 played Historical Monument #157 recently, which is just north of Chinatown on Broadway. How was that spot? That gig? LN: We had a great time at HM157! It is a beautiful old Victorian mansion with colored glass windows and a lovely big porch. I am an architecture nerd so it was a real joy to play the spot. When I was a teenager no one dared to have shows somewhere so pretty and fragile. The audience would just destroy things. It is life affirming that young audiences can dig heavy music yet not thrash their environment. And I have the best time playing with young bands. I feel very lucky to play in a band with my oldest son and that his generation embraces us. MW: It seems like the CD6 just starting to play out a bunch of shows. Do you get into...
Continue reading
Holy crap! I still can’t believe Chuck Dukowski Sextet is going to play our next Save Music in Chinatown punk rock matinee/benefit show. I’ve never met the original bass player for Black Flag in person–although I’ve talked to him on the phone and seen him play a few times (pics below)–so it was a long shot when I asked. But not only were he and his wife/partner/collaborator/inspiration Lora Norton down but he added that they were fans of GR magazine and loved Chinatown, too. Yes, I have been stoked ever since. To get all of you as amped up for the show as I am, here’s a quick Q&A with Chuck and Lora about their post-punk jazz combo, family, art, and Chinatown. MW: So amped that your combo will be playing our benefit for kids in Chinatown. Can you tell me about the Sextet’s impressions on the neighborhood? Memories of music or otherwise? CD: I’ll always remember playing The Hong Kong Cafe with Black Flag. It was an important rite of passage. At the time The Hong Kong was the place that you really strived to play. I remember seeing The Germs, X, The Plugz, and so many great bands in Chinatown. The whole plaza became a punk rock mecca. If people couldn’t afford to get inside, they would hang out outside where they could still hear the music. I always made of point of paying to see bands because I wanted to support everyone’s efforts. Back then almost every band you saw was really good. LN: Chinatown is one of the best places in Los Angeles. Just recently, Chuck and I went to an opening at Shepard Fairey’s gallery on Sunset and we went to eat at Ocean Seafood on Hill. We often have Dim Sum there, too. I bought a beautiful and weird sculpture of rats and peaches at Wing Hop Fung on Broadway. That is the best store! I love the architectural aesthetic of Chinatown; it’s so over the top. I am glad to see all the art galleries but I wish they still had venues for bands! MW: I saw that the CD6 played Historical Monument #157 recently, which is just north of Chinatown on Broadway. How was that spot? That gig? LN: We had a great time at HM157! It is a beautiful old Victorian mansion with colored glass windows and a lovely big porch. I am an architecture nerd so it was a real joy to play the spot. When I was a teenager no one dared to have shows somewhere so pretty and fragile. The audience would just destroy things. It is life affirming that young audiences can dig heavy music yet not thrash their environment. And I have the best time playing with young bands. I feel very lucky to play in a band with my oldest son and that his generation embraces us. MW: It seems like the CD6 just starting to play out a bunch of shows. Do you get into...
Continue reading

Of course, Money Mark was featured in the pages of Giant Robot mag many times and even played our big outdoor show in the streets of Little Tokyo with J Church and the Red Aunts. That must have been in 1995 or so. I still buy his records and go to his shows whenever I can, in recent years at JANM, The Troubadour, Amoeba, Spaceland (with the Mattson 2), and that HUF show with Tommy Guerrero, Ray Barbee, and Fredo Ortiz (where I shot the pics above and below). Mark’s bands and sets are always different but the music is as grooving as it is experimental and straight from the heart. His songs are impossible to dislike. He’s the reason why Check Your Head and Ill Communications are the heaviest Beastie Boys albums.

It was just a few weeks ago that I reconnected with Mark at the Troubadour, where Fredo’s Bongoloidz were playing a show. We caught up with each other regarding our gigs and our kids, and of course I mentioned that my wife and I started a series of DIY benefit concerts to raise money for music education at our daughter’s school. When he said that he’d play our show, I said no way. It’s too small. Then he said, “Really, I would.”

Continue reading