Giant Robot Store and GR2 News
For the month of June, the previous show comes down and a new show featuring the combined work of Sean Chao and Ines Estrada comes up! Blithe Spirits shows fifty-three new art pieces on display at GR2 and available for perusal and purchase through the Giant Robot Online Store as well. This show features two of our relatively new artists. Click on any of the photos to be directly taken to the online art gallery. Sean Chao is a Los Angeles based artist and was first introduced to our Giant Robot community through his first art show, “Forget Me Not,” with Ming Ong at GRSF in January 2011. His second show with Giant Robot brings us again to a miniature fantasy world where the hominid residents mingle and clash with their insect denizens and the rules of reality are tangible. The second half of his art features amusing idioms brought to life with the Eye, Ear, Nose, and Mouth. Ines Estrada is an artist from Mexico City, and she comprises “half of the super dynamic duo Café con Leche” with her boyfriend Roi. Her work features bold colors that depict multiple universes of wonder, energy, femininity and a cohesion with the animals of Nature. Her work is inspired by many sources, and her Mexican culture is a strong inspiration, which shows vividly through the brighter colors, style, and subject of her art. Many of her art pieces combine elements of “the grotesque and violent” along with what is beautiful and feminine. To see more of either artists’ work, then please click on any of the photos above.
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Brian Rush and Sean Chao. Brian Rush is known for blinking in photos, he does it here. Sean Chao said that Brian’s work is a great influence to him, so it’s great to see Brian come through.
A GR cake! Chinese cake with strawberries in it. It was great.
Talk explains some of his pieces.
Leopard print is back!
Tons of pics after the jump!
Sean Chao is an Art Center graduate, who lives and works in Los Angeles but is originally from Taiwan. When I first saw his works, I was captivated by the exciting and energetic sculptures which sparked everyone’s imagination. What’s going on in there? Who are these tiny people? The pieces are microcosms of his world, yet at the same time, they’re mini installations. Each piece takes you inside much like a terrarium, except you get to dream up a story with his “tiny people”. You’ll get lost in his sometimes-fairytale and oftentimes-idyllic pieces. His works are exciting and pure, and along with Inés Estrada, we’re excited to have him in Blithe Spirits at Giant Robot 2. Sean Chao; Preview Images from Blithe Spirits. GR: Can you talk a little about the world you create? Where is it coming from and why does it have it’s forms? SC: The world and the characters I created are base on my imagination, and they are inspired and influenced by interesting things and fun experiences that happen around me. The mischievous characters were sort of created accidentally, It all started from a random drawing I did on a photograph. Eventually I developed the character from the drawing and I made a sculpture out of it. GR: Is there general narrative? SC: There is always a narrative idea behind each piece of my works. I usually tell a story of daily experiences and show snapshots of regular interactions. These situations may be looked at as simple everyday occurrences, but I expand on those and add more to make it an interesting narrative Sometimes the story can get a little bizarre and psychedelic, but most of the works are simple ideas that people can relate to. GR: There seems to be a color palate for them. Why those colors? SC: The colors just came natural to me. Most of my works are involved with humor and warm feelings, so the color choices I make are directly related to those emotions. GR: Did your instructors at Art Center have an opinion on what you were making? SC: When I was in the school my instructors encouraged me to create works with my own sense of style. I believe their teaching completely changed my attitude and respect to art. Without the education, I will most likely still be working in an art related field, but I might not be creating art of my own. GR: How did you get into sculpting? SC: I was always very fascinated with sculpting since I was very young. We used to have a sandbox at my elementary school, and I would stay after classes and play in the sand until sunset every day. I remember once I was building a small city in the sand box. I went next to the pond to scoop water for the river in my sand city, and all of a sudden I fell right into the pond. I also tripped over the roots of a banyan tree. I was soaked, but it didn’t stop me...
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