Books

Paperback, 7.5" x 7.5", 120pp, Full Color

Hilarious, disgusting, mysterious, and cuter than a puppy playing with a kitten, Chocolate Cheeks is the next great "Yikes" book from Steven Weissman. The Pullapart Boy (a 21st Century Frankenstein's monster for kids), his social circle having dwindled down to his stupid brother (Dead Boy), their dead dog (Elzie Crisler), and a fat kid that nobody likes ("Chubby" Cheeks), attempts to make some new friends. Meanwhile, across town, the Little Tin-Stars (Cow-Boy and Cow-Girl) are in a desperate fight against the forces of nature, hostile natives, a river monster, their own horse and a man called Chocolate Cheeks. Juxtaposing gag-driven, newspaper-fashioned strips (employed to great effect in 2006's Chewing Gum In Church) with the sprawling, Western comic approach of his legendary "Look Out For Big Della" (from 2002's White Flower Day), Chocolate Cheeks is Weissman at his best: stunning, memorable, poignant, hilarious, and just gross enough to delight the children.

Hardcover with Dust Jacket, 6.25" x 9.25", 304pp

Opening its doors in 1970, Hampshire College was once known as a land of eternal partying, where countercultures thrived and jocks were nowhere to be found. Self- proclaimed nerd Richard Rushfield knew this progressive Massachusetts campus was the place for him, offering a chance to shed his squeaky-clean California upbringing. He was part of the freshman class of 1986, hiding out from Reagan-era excess in a liberal haven where overachievement and preppy clothes were banned.

By turns hilarious, ironic, and steeped in history, Don't Follow Me, I'm Lost takes readers to a campus populated by Deadheads, club kids, poets, and insomniac filmmakers, at a time when America saw the rise of punk and grunge alongside neo-conservatism, earnest calls for political correctness, and Take Back the Night vigils. Shunned by all of the school's reigning subcultures, Rushfield joins the most hated clique on campus, the Supreme Dicks, navigates a dating scene where to express interest in anything is social suicide, and mostly avoids class where hippie professors blather on about post-structuralism. Culminating in a mad clash of slackers and yuppies, Don't Follow Me, I'm Lost captures a watershed moment for American youth in one hilarious and unforgettable trip.

Hardcover, 6.5" x 9.25", 270pp

On March 17, 2009, Laura Ling and her colleague Euna Lee were working on a documentary about North Korean defectors who were fleeing the desperate conditions in their homeland. While filming on the ChineseåÐNorth Korean border, they were chased down by North Korean soldiers who violently apprehended them. Laura and Euna were charged with trespassing and "hostile acts" and imprisoned months, enduring interrogations and eventually a trial before North Korea's highest court. They were the first Americans ever to be sentenced to twelve years of hard labor in a prison camp in North Korea.

Journalist Lisa Ling immediately began a campaign to get her sister released, one that led her from the State Department to the higher echelons of the media world and eventually to the White House.

Somewhere Inside reveals for the first time Laura's gripping account of what really happened on the river, her treatment at the hands of North Korean guards, and the deprivations and rounds of harrowing interrogations she endured. She speaks movingly about the emotional toll inflicted on her by her incarceration, including the measures she took to protect her sources and her fears that she might never see her family again.

Hardcover, 8.75" x 8.75", 150 pages, Black & White

If kozyndan created a world of their own, then this book contains portraits of the people who would exist in it. Inspired from a photo album found in a Venice Beach thrift shop, kozyndan sought to create imagined personae to capture essence of these photographs. This collection is composed of small, detailed graphite portraits, each piece capturing the surreal humour and observation that has become fundamental within Kozyndan's distinctive style of artwork.

On Sale at 50% off the original price of $60.00

Limit: 1 per customer

Hardcover, 11" x 9", 168pp

The latest limited edition from Ryan McGinness - No Sin/No Future follows the trajectory of the artist's book Project Rainbow (2003, Gingko Press). A collection of snapshots, sketches, and scans, all extracted with a discerning eye from the artist's studio archives. Sketchbook notes collide with paintings-in-progress and combine with vectors and bitmaps to create a dense site-specific visual concoction that provides unprecedented insight into how this artist's mind works and the mental processes that deliver his unique style. The work of Ryan McGinness has exercised great influence in graphic design and visual art circles, and is collected by venerable institutions around the world including the Museum of Modern Art in New York. The edition is limited to 2500 copies.

Paperback, 9" x 6.5", 32pp

Chris Johanson and Jo Jackson, artists, partners and owners of the amazing dog Raisin, here offer up recent graphic works. Both painters are known for their subversive, street-smart, from-the-gut imagery--painted on canvas or walls, installed in galleries, printed on skateboards or otherwise superimposed on everyday detritus. Published by Nieves!

Softcover, 10" x 8.5", Full Color

A fantastic retrospective of Os Gemeos work published on the occassion of their "The Flowers in this Garden were Planted by my Grandparents" exhibition at the Museum Het Domein Sittardk, Netherlans. Images of street pieces, gallery installations, line drawings and more!

Os Gemeos is being distributed by Giant Robot here in the states. For retailers interested in carrying this item please contact our wholesale department for pricing info - wholesale@giantrobot.com

Softcover, 8.75" x 6.75", Full Color

Incredible collection of Thomas Campbell's artwork published on the occassion of his Sing Ding Aling exhibition at the Museum Het Domein Sittard. Pages and pages of Campbell's work from paintings to installations!

Sing Ding Aling is being distributed by Giant Robot here in the states. For retailers interested in carrying this item please contact our wholesale department for pricing info - wholesale@giantrobot.com

Hardcover, 7.75" x 10.25", 208pp, Full Color

All and Sundry: Uncollected Work 2004-2009 collects Paul Hornschemeier's work from the last five years. These works span mostly periodicals to European museums, including: drawings and comics created for an exhibit in Paris; an award-winning cover exhibited in London; the seventeen-part serialized tale "Huge Suit Visits the People" created for the celebrated German newspaper Frankurter allgemeine Zeitung:; and a few US comic strips for The Wall Street Journal and CNN. The collection concludes with extensive selections from sketches and sketchbooks, demonstrating the variety and depth of the artist's interests and pursuits. All and Sundry invites an examination of the entirety of Hornschemeier's process, from first fevered scrawl to final, pristine brush line.

Folder with 28 loose leaf watercolor drawings, 32pp Scrapbook

Marcel Dzama has changed everything we know about art that involves alligators and men in bear costumes holding guns. Dzama is from Winnipeg, and his work shows frequently in New York and on Beck̴̥s album covers. Sometimes he paints with root beer.

This book̴ÌÔit̴̥s not even a book at all, really̴ÌÔis an envelope with twenty-eight loose-leaf prints good enough to frame. This is the sequel to Dzama's Berlin Years scrapbook which was released a couple years ago. A wonderful addition to any Dzama book collection!

Softcover, 8.75" x 6.75", Color and Black & White

A wonderful collection of Barry McGee's artwork published on the occassion of his Things Are Getting Better exhibition at the Museum Het Domein Sittard. Pages and pages of Mcgee's work from paintings to installations to photographs!

Things Are Getting Better is being distributed by Giant Robot here in the states.