Book cover featuring an illustration of an anime style girl standing with her hands stretched out in front of her, with light rays coming out her fingers. She has a bright green eye, the rest of her face obscured by hair and flowers.
Page excerpt, featuring an illustration of a girl with white hair, a black halo and black street clothes sitting on the ground in front of a network of neat white pipes.
Page excerpt, featuring an illustration of a girl, viewed from above. She wears glasses and reaches a hand out to the viewer, as if she is falling.
Page excerpt, featuring an illustration of a girl in a white dress suspended in air, with her fingers poised like she is framing a photo. All around is graphic lines and color accents.
Page excerpt, featuring an illustration of a girl dressed in futuristic space gear, looking out of a helmet towards the ground with a look of amazement.
Book cover featuring an illustration of an anime style girl standing with her hands stretched out in front of her, with light rays coming out her fingers. She has a bright green eye, the rest of her face obscured by hair and flowers.
Page excerpt, featuring an illustration of a girl with white hair, a black halo and black street clothes sitting on the ground in front of a network of neat white pipes.
Page excerpt, featuring an illustration of a girl, viewed from above. She wears glasses and reaches a hand out to the viewer, as if she is falling.
Page excerpt, featuring an illustration of a girl in a white dress suspended in air, with her fingers poised like she is framing a photo. All around is graphic lines and color accents.
Page excerpt, featuring an illustration of a girl dressed in futuristic space gear, looking out of a helmet towards the ground with a look of amazement.

EYE: YONEYAMA MAI

$ 55.00

Softcover, 272 pages, 11.6 x 8.3 inches.

Amazing work from the illustrator & animator Yoneyama Mai in one beautiful book!

From working on visual development for the anime film Promare, to production of the end credits for Cyberpunk: Edgerunners and more, Yoneyama Mai is active in the world of anime and illustration. This edition features a complete archive of the illustrations that make you feel the flow of emotions and movement that Yoneyama Mai is known for. 
This is the first collection of original works by Yoneyama Mai, who has more than one million followers on Twitter and is getting attention from both animators and creators! Enjoy the vivid colors and delicate details in Yoneyama’s work. 

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Death & Rebirth - An Evangelion Fanzine

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A beautiful homage to Hideaki Anno’s Neon Genesis Evangelion - a collaborative fan zine featuring artworks from 18 different artists printed in red and blue ink. A fun exploration of what Evangelion means to so many.

Featuring work by Anabel Colazo, Beto Irogoyen, DARKMEATNOW, Diigii Daguna, Genie Ink, Jake Terrell, Jan Buragay, Jane Mai, Kelly K, Linnea Sterte, Loïc Locatelli-Kournwsky, Luis Yang, Mel Tow, Patrick Crotty, Sabii Borno, Sarula Bao, Tia Roxae, & Wren McDonald

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This piece is part of Giant RISObots, a group exhibition of risograph prints at GR2 Gallery running from February 15th, 2025 to March 4th, 2025. 

  • Most prints will ship out within usual fulfillment times unless otherwise specified.
  • There is a No Returns Policy from the moment artwork is purchased.
  • Pick-up orders: Please wait for email confirmation before coming to pick up
    • Pick up orders may be subject to storage fees if not picked up after 3 months after your pick up notice. You will be contacted again before fees begin.

In-Person Viewing is available at GR2 Gallery: Open Friday 12:00 pm - 4:00pm, Saturday 12:00 pm - 5:00 pm, and Sunday 12:00 pm - 4:00 pm.

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Soft cover, 512 pages. 

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Several page layouts for Stubs, with words and photo copied ticket stubs.

Stubs: 2001-2010 by John Jaewon Kim

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Paperback, 56 pages, measures 5 x 8 inches. Edition of 100.

Uncovering a personal stash of collected ephemera can unleash a torrent of once-held ideals, longstanding hang-ups, and misdirected pursuits. In Stubs: 2001–2010, John Kim tackles head-on a stack of old concert ticket stubs spanning a decade. Each story revisits a stub, and his indie-rock-snob perspectives—at times self-deprecating, more often comedically judgmental—are punctuated with unabashed fanboy regard for pop acts and romantic interests alike.

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