Kiki's Delivery Service Sketchbook (Hardcover)

Risograph printed cover for a Evangelion themed fanzine, with an illustration of a fairy with many sharp, thin wings. She is slightly curled into herself and holds a pink orb.

Open spread, 2 page excerpt of a fanzine dedicated to Evangelion printed in red and blue ink. One page features an illustration of a person sitting in front of a swirling whirlpool of sorts. The other page is full of text with an overlay illustration of a girl looking down and saying "pathetic"

Risograph printed illustration in red and blue ink of a girl, Asuka from Evangelion, wearing her red mech suit and looking up with irritation. Behind her is a large monster.

Risograph printed illustration in red and blue ink of a man resting in grass, laying with his hands behind his head and his eyes closed.

Death & Rebirth - An Evangelion Fanzine

$ 20.00

Softcover risograph printed zine, 28 pages. Measures 8 x 10 inches.

A beautiful homage to Hideaki Anno’s Neon Genesis Evangelion - a collaborative fan zine featuring artworks from 18 different artists printed in red and blue ink. A fun exploration of what Evangelion means to so many.

Featuring work by Anabel Colazo, Beto Irogoyen, DARKMEATNOW, Diigii Daguna, Genie Ink, Jake Terrell, Jan Buragay, Jane Mai, Kelly K, Linnea Sterte, Loïc Locatelli-Kournwsky, Luis Yang, Mel Tow, Patrick Crotty, Sabii Borno, Sarula Bao, Tia Roxae, & Wren McDonald

Cover of a fanzine dedicated to Akira, with a 3 color printed illustration of a boy dressed in red riding a futuristic looking motorcycle and holding up a heavy duty gun. He holds it up towards a far off character, who stands atop of rocks.

Fanzine excerpt, printing in red and blue ink of 2 pages of illustrations inspired by the film Akira. Illustration features a busy street with many pedestrians in a cyber punk style world.

Fanzine excerpt, printing in red and blue ink of 2 pages of illustrations inspired by the film Akira. Illustration features a girl standing and looking forward, with many chaotic clouds and other characters looming behind her.

Fanzine excerpt, printing in red and blue ink of 2 pages of illustrations inspired by the film Akira. Illustration features a group of characters dressed up as clowns with punk elements.

Fanzine excerpt, printing in red and blue ink of 2 pages of illustrations inspired by the film Akira. Illustration features a peek of a boy wearing a nice short suit and looking forward, with his shadow drawn out in front of him on tile floor.

Good For Health Bad For Education - An Akira Fanzine

$ 20.00

Softcover risograph printed zine, 36 pages. Measures 8 x 10 inches.

A beautiful homage to the beloved anime film, Akira - a collaborative fan zine featuring artworks from 17 different artists printed in red and blue ink. A fun exploration of what the film means to so many.

Featuring work by Natalie Andrewson, Aseyn, Sarula Bao, Jan Buragay, Anabel Colazo, Patrick Crotty, Sophia Foster-Dimino, JuicyForce, Hanna K, Kelly K, Wren McDonald, Molly Mendoza, Giannis Milonogiannis, Naleb, Mel Tow, Jake Terrell, & Sam Vanallemeersch. Edited and printed by Wren McDonald.

Zine cover for "Epoxy" Volume 6, with an illustration of 2 characters half submerged in a sea of open mouth faces.

Open page spread of Epoxy issue 6, a comic with several panels.

Open page spread of a mini comic within the zine, featuring a 3 panel comic.

Giant RISObots - John Pham - Epoxy (Issue 6) Zine

$ 22.00

Paperback, 8" x 10"

John Pham is incredible. Follow the ongoing saga of a space pilot crash landing. Some of the most beautiful Risograph prints we have seen.

This piece is part of Giant RISObots, a group exhibition of risograph prints at GR2 Gallery running from February 15th, 2025 to March 4th, 2025.

Most prints will ship out within usual fulfillment times unless otherwise specified.
There is a No Returns Policy from the moment artwork is purchased.
Pick-up orders: Please wait for email confirmation before coming to pick up
- Pick up orders may be subject to storage fees if not picked up after 3 months after your pick up notice. You will be contacted again before fees begin.

In-Person Viewing is available at GR2 Gallery: Open Friday 12:00 pm - 4:00pm, Saturday 12:00 pm - 5:00 pm, and Sunday 12:00 pm - 4:00 pm.

SIGNED! - Sketch by Katsuya Terada Book

$ 39.99

This book includes a signed book plate.

Soft cover, 512 pages.

A GIANT 512-page collection of Katsuya Terada’s RAKUGAKI sketches and illustrations.

The one and only legendary illustrator Katsuya Terada, a.k.a. RAKUGAKING (The Sketch King), well known as a pioneer who is always seeking new ideas and motifs for his drawings, has finally revealed his RAKUGAKI sketches and illustrations, long kept only in his sketch book.

Although most illustrations in this collection have appeared in Terada’s previous international exhibitions (e.g., Giant Robot in Los Angeles), never before has any book collected so many of his RAKUGAKI. This is the best and most comprehensive collection of Katsuya Terada’s pencil sketches, making it a must-have book for both his hardcore fans and also to illustrators in general.

Neon green book cover for "Stubs" with the book title and author written on a photo copied ticket stub.

Several page layouts for Stubs, with words and photo copied ticket stubs.

Stubs: 2001-2010 by John Jaewon Kim

$ 10.00

Paperback, 56 pages, measures 5 x 8 inches. Edition of 100.

Uncovering a personal stash of collected ephemera can unleash a torrent of once-held ideals, longstanding hang-ups, and misdirected pursuits. In Stubs: 2001–2010, John Kim tackles head-on a stack of old concert ticket stubs spanning a decade. Each story revisits a stub, and his indie-rock-snob perspectives—at times self-deprecating, more often comedically judgmental—are punctuated with unabashed fanboy regard for pop acts and romantic interests alike.

With a backdrop of post-grad and early career pressures and relationships, the volubly recounted backstories and recollections of specific shows, from disappointment distilled (Modest Mouse at the Wiltern, 2005) to the acoustically sublime (The Breeders at the Fillmore, 2002), demonstrate how fandom and obsessions ease, or at least mark, transitions and time.