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\Hardcover, 464 pages, measures 8.3 x 11 inches, full color.
Each copy comes with a signed bookplate by Eric Nakamura!
In conjunction with the great Drawn & Quarterly, we present Giant Robot: Thirty Years of Defining Asian-American Pop Culture, a hardcover curated collection of Giant Robot's best! Jam packed with so many great articles written by + interviews conducted by the passionate and creative Giant Robot contributors throughout the years. A beautiful hardcopy encapsulation of an era that lives on today!
Description from Drawn & Quarterly:
Celebrating the pop culture phenomenon that redefined what it meant to be Asian American with tributes from Margaret Cho, Randall Park, Jia Tolentino, and more.
Los Angeles, 1994. Two Asian American punk rockers staple together the zine of their dreams featuring Sumo, Hong Kong Cinema and Osamu Tezuka. From the very margins of the DIY press and alternative culture, Giant Robot burst into the mainstream with over 60,000 copies in circulation annually at its peak. Giant Robot even popped right off the page, setting up a restaurant, gallery, and storefronts in LA, as well as galleries and stores in New York and San Francisco. As their influence grew in the 90s and 00s, Giant Robot was eventually invited to the White House by Barack Obama, to speak at Harvard University’s Graduate School of Design, and to curate the GR Biennale at the Japanese American National Museum.Home to a host of unapologetically authentic perspectives bridging the bicultural gap between Asian and Asian American pop culture, GR had the audacity to print such topics side-by-side, and become a touchstone for generations of artists, musicians, creators, and collectors of all kinds in a pre-social media era. Nowhere else were pieces on civil rights activists running next to articles on skateboarding and Sriracha. Toy collectors, cartoonists, and street style pioneers got as many column inches as Michelle Yeoh, Karen O, James Jean, and Haruki Murakami.
Giant Robot: Thirty Years of Defining Asian American Pop Culture features the best of the magazine’s sixty-eight issue run alongside never-before-seen photographs, supplementary writing by long-term contributing journalist Claudine Ko, and tributes from now-famous fans who’ve been around since day one. Margaret Cho, Daniel Wu, and Randall Park celebrate Giant Robot’s enduring legacy alongside pioneering pro-skateboarder Peggy Oki, contemporary art giant Takashi Murakami, culinary darling Natasha Pickowicz, and critically acclaimed essayist Jia Tolentino.
Death & Rebirth - An Evangelion Fanzine
Softcover risograph printed zine, 28 pages. Measures 8 x 10 inches.
A beautiful homage to Hideaki Anno’s Neon Genesis Evangelion - a collaborative fan zine featuring artworks from 18 different artists printed in red and blue ink. A fun exploration of what Evangelion means to so many.
Featuring work by Anabel Colazo, Beto Irogoyen, DARKMEATNOW, Diigii Daguna, Genie Ink, Jake Terrell, Jan Buragay, Jane Mai, Kelly K, Linnea Sterte, Loïc Locatelli-Kournwsky, Luis Yang, Mel Tow, Patrick Crotty, Sabii Borno, Sarula Bao, Tia Roxae, & Wren McDonald
Good For Health Bad For Education - An Akira Fanzine
Softcover risograph printed zine, 36 pages. Measures 8 x 10 inches.
A beautiful homage to the beloved anime film, Akira - a collaborative fan zine featuring artworks from 17 different artists printed in red and blue ink. A fun exploration of what the film means to so many.
Featuring work by Natalie Andrewson, Aseyn, Sarula Bao, Jan Buragay, Anabel Colazo, Patrick Crotty, Sophia Foster-Dimino, JuicyForce, Hanna K, Kelly K, Wren McDonald, Molly Mendoza, Giannis Milonogiannis, Naleb, Mel Tow, Jake Terrell, & Sam Vanallemeersch. Edited and printed by Wren McDonald.
Giant RISObots - John Pham - Epoxy (Issue 6) Zine
Paperback, 8" x 10"
John Pham is incredible. Follow the ongoing saga of a space pilot crash landing. Some of the most beautiful Risograph prints we have seen.
This piece is part of Giant RISObots, a group exhibition of risograph prints at GR2 Gallery running from February 15th, 2025 to March 4th, 2025.
In-Person Viewing is available at GR2 Gallery: Open Friday 12:00 pm - 4:00pm, Saturday 12:00 pm - 5:00 pm, and Sunday 12:00 pm - 4:00 pm.
SIGNED! - Sketch by Katsuya Terada Book
This book includes a signed book plate.
Soft cover, 512 pages.
A GIANT 512-page collection of Katsuya Terada’s RAKUGAKI sketches and illustrations.
The one and only legendary illustrator Katsuya Terada, a.k.a. RAKUGAKING (The Sketch King), well known as a pioneer who is always seeking new ideas and motifs for his drawings, has finally revealed his RAKUGAKI sketches and illustrations, long kept only in his sketch book.
Although most illustrations in this collection have appeared in Terada’s previous international exhibitions (e.g., Giant Robot in Los Angeles), never before has any book collected so many of his RAKUGAKI. This is the best and most comprehensive collection of Katsuya Terada’s pencil sketches, making it a must-have book for both his hardcore fans and also to illustrators in general.
Stubs: 2001-2010 by John Jaewon Kim
Paperback, 56 pages, measures 5 x 8 inches. Edition of 100.
Uncovering a personal stash of collected ephemera can unleash a torrent of once-held ideals, longstanding hang-ups, and misdirected pursuits. In Stubs: 2001–2010, John Kim tackles head-on a stack of old concert ticket stubs spanning a decade. Each story revisits a stub, and his indie-rock-snob perspectives—at times self-deprecating, more often comedically judgmental—are punctuated with unabashed fanboy regard for pop acts and romantic interests alike.
With a backdrop of post-grad and early career pressures and relationships, the volubly recounted backstories and recollections of specific shows, from disappointment distilled (Modest Mouse at the Wiltern, 2005) to the acoustically sublime (The Breeders at the Fillmore, 2002), demonstrate how fandom and obsessions ease, or at least mark, transitions and time.