
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Softcover, 228 pages, black and white. Measures 6.1 x 8.4 inches.
In the end, we’re all the same…we just want to be smothered like babies against another human’s beating heart
Through a cracked door, heartsick Emi hears a playful growl. Cautiously, she lets her lover in—a wolf of a man wielding a bouquet of roses. His shoulders must have been four inches wider than mine. As I stood behind him, I fantasized about the broadness of his chest and the thickness of his neck…and about becoming his mistress once again.
And so their story goes. For a young woman interested in love without the hassle of a traditional relationship, an affair with someone else’s spoiled husband is just what she ordered—until it’s time to move on.
Then there’s Yuko: with even less time for married men’s shenanigans, she turns her attention to her aging father and the guilt of adultery that has gnawed at his heart for years. Her mother is long dead, yet her memory is enshrined for eternity in their—both father’s and daughter’s—mirrored indiscretions.
Drawn soon after the critically-acclaimed Talk to My Back, the two stories in Second Hand Love mark the triumphant return of Yamada Murasaki, one of literary manga’s most respected feminist voices. Translated by noted historian Ryan Holmberg, this edition includes an interview with the artist from the height of her career in 1985, where her wit and wisdom are on shimmering display.
Death & Rebirth - An Evangelion Fanzine
Softcover risograph printed zine, 28 pages. Measures 8 x 10 inches.
A beautiful homage to Hideaki Anno’s Neon Genesis Evangelion - a collaborative fan zine featuring artworks from 18 different artists printed in red and blue ink. A fun exploration of what Evangelion means to so many.
Featuring work by Anabel Colazo, Beto Irogoyen, DARKMEATNOW, Diigii Daguna, Genie Ink, Jake Terrell, Jan Buragay, Jane Mai, Kelly K, Linnea Sterte, Loïc Locatelli-Kournwsky, Luis Yang, Mel Tow, Patrick Crotty, Sabii Borno, Sarula Bao, Tia Roxae, & Wren McDonald
Good For Health Bad For Education - An Akira Fanzine
Softcover risograph printed zine, 36 pages. Measures 8 x 10 inches.
A beautiful homage to the beloved anime film, Akira - a collaborative fan zine featuring artworks from 17 different artists printed in red and blue ink. A fun exploration of what the film means to so many.
Featuring work by Natalie Andrewson, Aseyn, Sarula Bao, Jan Buragay, Anabel Colazo, Patrick Crotty, Sophia Foster-Dimino, JuicyForce, Hanna K, Kelly K, Wren McDonald, Molly Mendoza, Giannis Milonogiannis, Naleb, Mel Tow, Jake Terrell, & Sam Vanallemeersch. Edited and printed by Wren McDonald.
Giant RISObots - John Pham - Epoxy (Issue 6) Zine
Paperback, 8" x 10"
John Pham is incredible. Follow the ongoing saga of a space pilot crash landing. Some of the most beautiful Risograph prints we have seen.
This piece is part of Giant RISObots, a group exhibition of risograph prints at GR2 Gallery running from February 15th, 2025 to March 4th, 2025.
In-Person Viewing is available at GR2 Gallery: Open Friday 12:00 pm - 4:00pm, Saturday 12:00 pm - 5:00 pm, and Sunday 12:00 pm - 4:00 pm.
SIGNED! - Sketch by Katsuya Terada Book
This book includes a signed book plate.
Soft cover, 512 pages.
A GIANT 512-page collection of Katsuya Terada’s RAKUGAKI sketches and illustrations.
The one and only legendary illustrator Katsuya Terada, a.k.a. RAKUGAKING (The Sketch King), well known as a pioneer who is always seeking new ideas and motifs for his drawings, has finally revealed his RAKUGAKI sketches and illustrations, long kept only in his sketch book.
Although most illustrations in this collection have appeared in Terada’s previous international exhibitions (e.g., Giant Robot in Los Angeles), never before has any book collected so many of his RAKUGAKI. This is the best and most comprehensive collection of Katsuya Terada’s pencil sketches, making it a must-have book for both his hardcore fans and also to illustrators in general.
Stubs: 2001-2010 by John Jaewon Kim
Paperback, 56 pages, measures 5 x 8 inches. Edition of 100.
Uncovering a personal stash of collected ephemera can unleash a torrent of once-held ideals, longstanding hang-ups, and misdirected pursuits. In Stubs: 2001–2010, John Kim tackles head-on a stack of old concert ticket stubs spanning a decade. Each story revisits a stub, and his indie-rock-snob perspectives—at times self-deprecating, more often comedically judgmental—are punctuated with unabashed fanboy regard for pop acts and romantic interests alike.
With a backdrop of post-grad and early career pressures and relationships, the volubly recounted backstories and recollections of specific shows, from disappointment distilled (Modest Mouse at the Wiltern, 2005) to the acoustically sublime (The Breeders at the Fillmore, 2002), demonstrate how fandom and obsessions ease, or at least mark, transitions and time.