Giant Robot Store and GR2 News
For the bunch of you who went to the Biennale 4 and didn't examine the Giant Robot Store Installation. Here's one angle of it. There are tons of details within so I'll make an effort in the next few days...
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Otomo Katsuhiro‘s movie, Akira, was my gateway to anime as a teen. Due to this, I was giddier than a kid on a sugar rush when the day came to visit his latest exhibition at the 3331 Chiyoda Arts gallery in Akihabara. Most of the tickets were already sold out because it was the beginning of Golden Week when I attempted purchase passes from the nearest kiosk at Lawson’s. Fortunately, I managed to buy tickets during the latest time slot before the museum closed. The date was set. My friend and I arrived at the gallery an hour before our time slot. A small park was neighbored its entrance and Chiyoda Arts was apparently a Junior High School before it was renovated into what you see now. We lined up and entered the gallery shortly after our appointed time slot ticked into place. The exhibit itself was a brightly lit chamber painted with white with music from composer Haishima Kuniaki‘s album, Καρδια, playing eerily in the background. Unfortunately, no photographs were allowed so we couldn’t take any pictures until the “Motorcycle Display.” A few foreign visitors stood out amidst the crowd who undoubtedly were introduced to the medium through Otomo’s work like myself. Sketches and paintings from Otomo-san’s art book, Kaba and Kaba2, were on display and unlike his films, a majority of the pieces featured from Kaba and Kaba2 were lightheartedly strange and semi-cutesey depictions of animals. Others were of sketches from mangas penned by him that I haven’t even heard of up until today. It was different from the Otomo-san that I knew. Of course, drawing, sketches, and paintings from his landmark films: Memories, Steamboy, Akira, and many others. I can’t say for certain because fine arts (as a profession) isn’t my forte, but on closer inspection, a good deal of them appeared to use water color as a medium. It was impressive to see how much detail that he invested into the pieces crafted by his own hands. Print media barely did the originals any justice. Next was the exhibit room with the original panels for the Akira manga in all their totality. Yup. Every panel from all 6 volumes was on display in their unvarnished splendor. The number of pages for each book was so immense that they had to stack them row upon row on “shelf wires” suspended through the display case for visitors to see. The room after that was arguably the main event. For a donation of 500 yen, visitors had an opportunity to don a replica of Kaneda’s jacket from the manga and sit inside a reconstruction of his motorcycle with pages of the manga garnishing its display. A crater rendering a scene from one of his mangas adorned the back of the room. In addition to that, graffiti drawing from visitors plastered a section of the wall in tribute to the event. It was the only part of the exhibit where visitors were allowed to take photos. At the end of...
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While production for the fan maligned live-action Akira adaptation may have screeched to a halt as of January 5, 2012, Otomo Katsuhiro–the original creator for the manga and anime–is ever busy with an upcoming art exhibit at the 3331 Chiyoda Arts Centre in Tokyo, Japan, showcased between April 9th to March 30th, 2012. The Genga Exhibition, as it is called, already has a catalogue available for pre-order on Amazon.co.jp. So far, unpublished art for Kaba 2 will be showcased alongside pieces from his other work. In addition to that, a special discussion will occur live on UStream between Katsuhiro-san, Blood: The Last Vampire‘s Katsuya Terada, and Perfect Blue‘s Hisashi Higuchi on April 9th, 8 p.m. Japan local time. Guests are required to purchase their tickets in advance at Lawson’s convenience stores for admittance at a designated time. What’s better is that this is an opportunity to geek out for a good cause. Thirty percent of ticket proceeds go towards helping victims of the 3/11 Earthquake. Nothing’s set in stone, but I’ll definitely try to make it out there sometime in April or May and report further on the exhibit. Tickets are on sale 1500円 for adults, 800円 for students, and 500円 for junior high school students. For more information, visit 3331 Chiyoda Arts homepage or follow them on Twitter and Facebook. 6-11-14 Sotokanda Chiyoda-Ku Tokyo 101-0021 TEL：+81(0)3-6803-2441 / FAX：+81(0)3-6803-2442 / E-MAIL：info@3331.jp
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It’s 2012 and no progress yet on the live-action adaptation of the Akira anime. Rest assured, Bandai is releasing a replica of Kaneda’s jacket in the mean time. The jacket is to commemorate the 30th anniversary of Otomo Katsuhiro’s manga and it’s yours for the low, low price of 69,800 yen. You can purchase it here on Bandai’s Namco page or the official website for the anniversary.
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The articles about white washing of Hollwood continue, and it’s not just Akira. This article touches upon history and also another upcoming manga based movie called All You Need is Kill. Again, casting is said to be non Asian. Although it’s nearing an epidemic, especially with the past films already ruined, Dragonball and Speed Racer included, I’m still not sure how bad it really is. I know it’s counter to what many of you think my opinion would be, but is it better to have Asian faces speaking their roles in English in a story that’s adapted, yet taking place in American neighborhoods? So instead of Kaneda racing through Neo Tokyo streets in Akira, we’ll have an Asian American face also named Kaneda racing through Baltimore speaking English with a pill design on his jacket? Meanwhile, he rides by Starbucks and Nordstroms Rack? Then all of his other friends and lead characters are also Asian, yet they’re cruising around in a world of non-Asians? It’s not going to work regardless of his skin color. The safest is an all out adaptation like The Departed where it can stand on it’s own having non-Asian names and faces. The real answer is do it in Japan, or not do it at all. Or else, change the name, the story and have a midwest motorcycle rally. I’d rather not see a lose, lose production that makes no sense. (LA Times – Whitewashing)
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