Giant Robot Store and GR2 News
After a 13-year-long hiatus, the Deltron 3030 super group has reunited for a full LP, some festival shows, and… a couple of free in-stores? Pretty damn cool that the heroic trio of Dan The Automator, Del The Funky Homosapien, and Kid Koala would play a Long Beach record shop. But after a long day of travel and press, they had to eat. Good thing Berlin is connected to Fingerprints.
Left to right: Dan The Automator, me, Kid Koala, and my pal Paul Kwon scarfing an early dinner at Berlin. How cool is it that there is a coffee house that serves high-end food connected to the record store? Brilliant and tasty, too. Del didn’t eat with us because he was busy practicing his ollies and had some cheese pizza coming to him. No artisan flatbread slices for Del. He’s a purist.
After a 13-year-long hiatus, the Deltron 3030 super group has reunited for a full LP, some festival shows, and… a couple of free in-stores? Pretty damn cool that the heroic trio of Dan The Automator, Del The Funky Homosapien, and Kid Koala would play a Long Beach record shop. But after a long day of travel and press, they had to eat. Good thing Berlin is connected to Fingerprints.
Left to right: Dan The Automator, me, Kid Koala, and my pal Paul Kwon scarfing an early dinner at Berlin. How cool is it that there is a coffee house that serves high-end food connected to the record store? Brilliant and tasty, too. Del didn’t eat with us because he was busy practicing his ollies and had some cheese pizza coming to him. No artisan flatbread slices for Del. He’s a purist.
Hong Kong movie freaks know that Terence Yin has acted for some of Asia’s coolest directors, including Yonfan, Takashi Miike, and Johnnie To. But he’s also a singer, and his new Transparent EP features world-class production by Dan The Automator. A serious follow-up to the The Heavenly Kings mockumentary (which Yin co-produced with his friends, co-stars, and boyband imposters Daniel Wu, Conroy Chan, and Andrew Lin to skewer Hong Kong’s celebrity-driven, cookie-cutter pop music industry), the seven songs have dark lyrics, complex arrangements, and serious beats—not to mention hints of dark wave, dub, and even Britpop.
Although I hadn’t talked to the philosophy major from Berkeley in years, I had to reach out find out how this cool project, which was produced by Wu’s Revolution Management company, came together.