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And I’m not talking about the beer, though it may help! (Art by Chitra Ganesh) This is one of these short books that you finish in a few hours and it resonates with you for weeks, maybe years and possibly for the rest of your life. Corona reads like a fascinating collection of journals and fiction mashed together in a backpack and bound as is. It’s quite fitting that author Bushra Rehman was a vagabond poet. Bushra and I met not even a year after after 9/11 and it’s a complete coincidence that I’m posting this on an anniversary of 9/11. 9/11 actually figures into the fabric of Corona, as narrator Razia Mirza, a Pakistani woman from Corona, Queens, travels through the country and through time, through troubled relationships and relationships with trouble. Smoking pot with asshole soon-to-be-ex-boyfriends. Drinking beer with racists in the burbs. It’s funny, it’s sad and, if you hang on long enough like Razia manages to, it’s funny again. The book is a brilliant rendering of life and if it is not always life-affirming, it is always genuine and honest. Are you in New York this Friday Sept. 13? I strongly suggest you come to the Asian American Writers’ Workshop and see Bushra in all her glory. She is a fantastic reader and always a joy to behold. Below is Bushra’s official bio. Below that is a little romp of a Q&A with her. Bushra Rehman’s first novel Corona (Sibling Rivalry Press) is a dark comedy about being South Asian in the United States and was noted among this year’s Best Debut Fiction by Poets & Writers. Rehman’s first book, which she co-edited with Daisy Hernandez, Colonize This! Young Women of Color on Today’s Feminism was included in Ms. Magazine’s 100 Best Non-Fiction Books of All Time. Her writing has been featured in numerous anthologies and on BBC Radio 4, WNYC, and KPFA and in Poets & Writers, The New York Times, India Currents, Crab Orchard Review, Sepia Mutiny, Color Lines, The Feminist Wire, and Mizna: Prose, Poetry and Art Exploring Arab America. 1) When we met you were a poet. Did you shift to narrative storytelling or have you been collecting these stories all along? Yes, I remember those crazy tours we did with the Asian American Literary Caravan, hitting unsuspecting Asian-American students all over the country with our insidious literature! My poems were all so heavy and disturbing back then that I started to tell funny stories in the middle about my own personal misadventures to lighten the mood. That way the audience could join me on the emotional rollercoaster of my mind. The book is composed of some of those funny stories, mixed in with some heavy dark moments. Onwards with the Asian American Literary Caravan! 2) There are so many crazy, dangerous and awful things that happen in Corona, and yet the reader comes away from it in the same way that the narrator Razia does — with a measure of humor. I feel that people who’ve lived tough lives are...
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And I’m not talking about the beer, though it may help! (Art by Chitra Ganesh) This is one of these short books that you finish in a few hours and it resonates with you for weeks, maybe years and possibly for the rest of your life. Corona reads like a fascinating collection of journals and fiction mashed together in a backpack and bound as is. It’s quite fitting that author Bushra Rehman was a vagabond poet. Bushra and I met not even a year after after 9/11 and it’s a complete coincidence that I’m posting this on an anniversary of 9/11. 9/11 actually figures into the fabric of Corona, as narrator Razia Mirza, a Pakistani woman from Corona, Queens, travels through the country and through time, through troubled relationships and relationships with trouble. Smoking pot with asshole soon-to-be-ex-boyfriends. Drinking beer with racists in the burbs. It’s funny, it’s sad and, if you hang on long enough like Razia manages to, it’s funny again. The book is a brilliant rendering of life and if it is not always life-affirming, it is always genuine and honest. Are you in New York this Friday Sept. 13? I strongly suggest you come to the Asian American Writers’ Workshop and see Bushra in all her glory. She is a fantastic reader and always a joy to behold. Below is Bushra’s official bio. Below that is a little romp of a Q&A with her. Bushra Rehman’s first novel Corona (Sibling Rivalry Press) is a dark comedy about being South Asian in the United States and was noted among this year’s Best Debut Fiction by Poets & Writers. Rehman’s first book, which she co-edited with Daisy Hernandez, Colonize This! Young Women of Color on Today’s Feminism was included in Ms. Magazine’s 100 Best Non-Fiction Books of All Time. Her writing has been featured in numerous anthologies and on BBC Radio 4, WNYC, and KPFA and in Poets & Writers, The New York Times, India Currents, Crab Orchard Review, Sepia Mutiny, Color Lines, The Feminist Wire, and Mizna: Prose, Poetry and Art Exploring Arab America. 1) When we met you were a poet. Did you shift to narrative storytelling or have you been collecting these stories all along? Yes, I remember those crazy tours we did with the Asian American Literary Caravan, hitting unsuspecting Asian-American students all over the country with our insidious literature! My poems were all so heavy and disturbing back then that I started to tell funny stories in the middle about my own personal misadventures to lighten the mood. That way the audience could join me on the emotional rollercoaster of my mind. The book is composed of some of those funny stories, mixed in with some heavy dark moments. Onwards with the Asian American Literary Caravan! 2) There are so many crazy, dangerous and awful things that happen in Corona, and yet the reader comes away from it in the same way that the narrator Razia does — with a measure of humor. I feel that people who’ve lived tough lives are...
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DEA Agents forgot Daniel Chong in his holding cell for five days. He wasn’t even arrested. He drank his own urine to survive. On the way to the hospital, after he explained what had happened, the DEA said “oh my god, oh my god”. Civil lawsuit, yes for $ure.
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