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LIFE: After Hiroshima: On the anniversary of the July 16, 1945 Trinity test in New Mexico that gave birth to the Atomic Age, LIFE.com presents photographs — most of them never published in LIFE — taken in Hiroshima after the Second World War ended. Here, in the landscape of a ruined city, and on the scarred skin and misshapen limbs of Japanese who survived the world’s first nuclear attack, photographer Carl Mydans discovered the legacy — part nightmare, part surprising, wishful dream — of those world-changing explosions. Hiroshima children patiently wait their turn for a examination in a temporary clinic. Here’s more of photographer Carl Mydan’s 1947 photo series [ LIFE ~ "Hiroshima: Portraits of Survivors" ]  
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Nearly 15 months have passed since a 9.0 earthquake and tsunami resulted in the triple meltdowns at the Fukushima Daiichi nuclear power plant, and with the prospects of a resolution of radiation-spewing disaster yet decades away, Softbank announced today that its soon to released Pantone 5 107SH smartphone will be the first in the world with a built-in geiger counter. Since the Fukushima disaster, we’ve seen companies release mobile radiation detectors like Scosche’s iPhone-compatible RDTX, an accessory that plugs into an iPhone to give users a reading of nearby radiation levels. The Pantone 5, however, eliminates the need for dongles and attachments. The front of the phone features a button, just beneath the screen, that provides access to a radiation sensor. Once you press the button, the phone launches an app that reads the number of microsieverts, the unit in which radiation is measured, in the surrounding air. [WIRED ~ Gadget Lab]  
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The Hong Kong Motion Pictures Industry Association (MPIA) is urging the world’s largest video-sharing website, YouTube, to enforce international copyright infringement measures after finding footage from some of its blockbuster box-office hits like Love in the Buff and some 200 other films available for free online. This week, the HK association blamed YouTube for estimated losses of $308 million, adding that YouTube was slow to remove the illegally uploaded version of Love in the Buff, even after Media Asia, the film’s producers, filed a formal complaint. HK filmmakers say a recent search found some of their most popular hits available on the Google-owned YouTube servers, including Hong Kong Film Awards winners: A Simple Life, The Flying Swords of Dragon Gate, Echoes of the Rainbow, and Shaolin Soccer. Blockbuster Ip Man and its sequel were split into 107 video files, while the pirated YouTube videos of clubbing drama Lan Kwai Fong and Jet Li’s Fearless received 1.8 million and 1.4 million hits, respectively. A classic fight scene from Bruce Lee’s Way of the Dragon was viewed 4.8 million times. (The Hollywood Reporter – HK Piracy)
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It is easy to admit that we’re about to exploit about a month of diary entries from a brave man’s life in order to get you to read this piece, and the other things we publish here on Giant Robot. Because, well, it’s partly true. But the majority of the truth about what we are presenting to you is that it gives detailed (one might even call some of it dry and mundane) insight into the thoughts and processes one Japanese man experienced before, during and after participating in the cleanup of radioactive debris at the Fukushima Daiichi Nuclear Power Station in Japan.

He isn’t one of the Fukushima 50. The diary entries he made available online start on May 26th and end on July 3rd, 2011, well after the day of March 15th when the 50 stayed behind to control the damage and fire at Fukushima Unit 4. No, the man who wrote these diary entries is (if he still has his job) a robot operator, of a robotic system called “Warrior”. From the diary entries it is apparent that he was assigned to Fukushima to prepare and operate specialized remote-controlled robotic equipment for the purpose of assessing damage and clearing debris within Fukushima Unit 3. 

We’re presenting only about half of the robot operator’s diaries here, the entries which cover June 11th through July 3rd, 2011. These entries detail the operator’s thoughts during the days right before preparing for and performing the dangerous task assigned to him in the debris and radiation of Fukushima Unit 3. Some of his thoughts are humorous, but most are very business-like and even grave. We have pulled some of the more interesting, insightful and inspiring quotes from the diary entries and printed them below. 

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My Life as an Undocumented Immigrant is a brutally honest piece of writing that I think everyone should know about. This long essay was first printed in the New York Times Magazine on June 22, 2011 and describes the moving story (and confession) of Jose Antonio Vargas who admits to being an illegal alien. It tells the strange path his life has taken from boarding a flight to the Bay Area at the age of 12 to his career as a Pulitzer Prize winning journalist. Vargas’ mission is two-fold, I believe 1. to raise awareness of the malfunctioning U.S. immigration “process” and provide a visual that not all undocumented workers are who you think they are and 2. to come clean about his real identity – to confess for the years of guilt he has harbored for lying about his situation. After My Life as an Undocumented Immigrant was published there’s been a bizarre backlash against Vargas on the Internet. In particular by fellow journalists who have put a lot of energy in writing long-winded pieces on how Vargas can’t be trusted and how they were “duped.” They quickly leap to the role of drama queen without taking a second and asking themselves, “What would I have done if that was me?” And while we are on the subject of morality, where is the virtue in sending someone back to a third-world country? What warped moral compass points to that? The cries to deport Vargas to his country of birth are hilarious to me because they are screamed with such conviction and entitlement with the underlying message, “I’m a real American, he’s NOT, send that piece of dirt back to the hole he came from.” So as we celebrate on July 4th this year with our fireworks and parades and BBQs, I also hope we talk about My Life as an Undocumented Immigrant amongst each other. And maybe get over the fact that Vargas lied [which is not really the point people] and raise the level of the discussion to include, “What does it say about the U.S. if we are so willing to obliterate such a bright talent who so desperately wants to be one of us?”
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