Giant Robot Store and GR2 News
The Catalog for SuperAwesome came out great. Larger size, nice paper, good repro, and clean. Why not have a signing since many of the artists live in LA? Masakatsu Sashie was visiting from Japan, Luke Chueh, Kozy, Dan, Sean Chao, Andrew Hem, Rob Sato… Ako Castuera split out early. Yes, I signed a few.
The Catalog for SuperAwesome came out great. Larger size, nice paper, good repro, and clean. Why not have a signing since many of the artists live in LA? Masakatsu Sashie was visiting from Japan, Luke Chueh, Kozy, Dan, Sean Chao, Andrew Hem, Rob Sato… Ako Castuera split out early. Yes, I signed a few.
Earlier in the day was the press preview. I thank them all for coming through. Some of the press is trickling out and some were posted hours later. It was a larger group than regular and their words will hopefully help the exhibition out. From my days of writing, I’d hope that this particular job was at least fun. So many writing jobs aren’t.
The weekend began with the Donor’s Forum. It’s a special thursday opening for the folks who donate dollars to the Museum. It’s when “the elite” of the OMCA come to play. I’m a curator who makes a speech and introduce the attending artists, and then after the words are complete, we get to see the exhibition. Although the idea is to make the donors feel like they’re part of this history-making exhibition, I’m not sure if everyone understood Asian Popular culture, this subset of contemporary art, and why Giant Robot. Yet that’s where the numbers come into play. For those who don’t get it, they love to see successful numbers.
The following day was the opening night. The member’s opening began at 3pm which on a Friday, began slowly and picked up after 5pm. Families began to show up. Artists brought their parents and some of the museum staff brought their kids who zipped around from the Scion car, to the game stations. I stood outside the doors for a while, since it was cool to take in the friends who I might not see scurrying around from area to area inside. I had to thank everyone I could for showing up and giving us their support. A line formed that stretched up the steps and even further towards the entrance in front of the mural by Andrew Hem. It was an OMCA first.
Earlier in the day was the press preview. I thank them all for coming through. Some of the press is trickling out and some were posted hours later. It was a larger group than regular and their words will hopefully help the exhibition out. From my days of writing, I’d hope that this particular job was at least fun. So many writing jobs aren’t.
The weekend began with the Donor’s Forum. It’s a special thursday opening for the folks who donate dollars to the Museum. It’s when “the elite” of the OMCA come to play. I’m a curator who makes a speech and introduce the attending artists, and then after the words are complete, we get to see the exhibition. Although the idea is to make the donors feel like they’re part of this history-making exhibition, I’m not sure if everyone understood Asian Popular culture, this subset of contemporary art, and why Giant Robot. Yet that’s where the numbers come into play. For those who don’t get it, they love to see successful numbers.
The following day was the opening night. The member’s opening began at 3pm which on a Friday, began slowly and picked up after 5pm. Families began to show up. Artists brought their parents and some of the museum staff brought their kids who zipped around from the Scion car, to the game stations. I stood outside the doors for a while, since it was cool to take in the friends who I might not see scurrying around from area to area inside. I had to thank everyone I could for showing up and giving us their support. A line formed that stretched up the steps and even further towards the entrance in front of the mural by Andrew Hem. It was an OMCA first.